{"id":1555,"date":"2010-04-24T07:45:22","date_gmt":"2010-04-24T11:45:22","guid":{"rendered":"http:\/\/susansenator.com\/blog\/?p=1555"},"modified":"2010-04-24T07:47:20","modified_gmt":"2010-04-24T11:47:20","slug":"here-be-dragons","status":"publish","type":"post","link":"https:\/\/susansenator.com\/blog\/2010\/04\/here-be-dragons\/","title":{"rendered":"Here Be Dragons"},"content":{"rendered":"<p>I use the puzzle piece symbol on my website, in a kind of loyalty to my younger blogging self.\u00a0 I remember when Ned and I searched for a subtle and elegant puzzle piece that was in the public domain, and we eventually found my clear one.\u00a0 Do I think of Nat as a mystery?\u00a0 But I know him so well.\u00a0 There are things about him that I don&#8217;t know, of course, but to assign a puzzle piece to him and not to enigmatic mellow Max or smoldering secretive Benj &#8212; not sure if that&#8217;s the best use of a compelling symbol.<\/p>\n<p>The mysterious part of Nat, the aspect that fascinates me and gives me both joy and sorrow is his language.\u00a0 Sorrow because I want more.\u00a0 Joy because sometimes I get a little bit from him, and then I want more &#8212; but it&#8217;s a good kind of want.\u00a0 I have always been interested in how people talk, their particular idiosyncrasies, their voices.\u00a0 When I was a kid I loved doing impersonations and part of the secret of a good impersonation is to channel that person, to immerse yourself thinking of them and how they talk, and then for a moment, letting yourself become them.\u00a0 It&#8217;s not that I get the timbre of the voice or the pitch or tones right &#8212; not like Rich Little or Dana Carvey, let&#8217;s say &#8212; it&#8217;s that I channel them wholeheartedly for that second or two.\u00a0 It&#8217;s fun.\u00a0 Benj can do it, too; and he&#8217;s even better than me at remembering precisely what a given person has said, so his imitations are amazing.<\/p>\n<p>Capturing how a person talks is like finding an open door to their mind.\u00a0 If you can think them and make their way of talking, you can kind of know them a little bit.\u00a0 A good writer can find other people&#8217;s voices and speech patterns this way.\u00a0 One of the best writers in that regard is Sharon Kay Penman, who writes good historical (non-bodice-ripping, except where warranted) fiction about old English kings.\u00a0 Her best are <em>Here Be Dragons,<\/em> (about Llewellyn, the last king of Wales before it became an English add-on), and\u00a0 <em>The Sunne in Splendour<\/em>, which is about the last of the Wars of the Roses, of Edward IV and his much-maligned brother Richard (III).\u00a0 Pennman basically turns history on its head and rethinks Richard, building the case that he was not the Crouchback or the murderer of his nephews.\u00a0 Rather, she draws Richard as a faithful, bright, but humanly flawed brother living in terrible political times.\u00a0 In this story, the bad guys are the Tudors who basically steal the crown from both the Yorks and the Lancasters.\u00a0 Not only does Penman get inside this famous story and find details &#8212; or create them &#8212; that really convince us; she also seems to have a feel for what the speech was like.\u00a0 They talked 15th century, but somehow, it worked.\u00a0 &#8220;Your life is in mortal peril, my Leige.&#8221;\u00a0 I love that stuff.<\/p>\n<p>Ever since Nat was a tiny guy, before age two, I have been fascinated and in love with how he talks.\u00a0 I have also been terrified by it.\u00a0 When he spoke only from his books, repeating lines over and over, exact same emphasis, it gave me the chills.\u00a0 That&#8217;s because I didn&#8217;t know.\u00a0 I feared something was wrong with him and this seemed the real evidence.\u00a0 To write sincerely and honestly about this, I need to immerse myself in my younger self, grab hold of some detail or imagery that transports me to those days.\u00a0 I have to sit still and imagine the scene, and allow the slow simmer of emotions begin.\u00a0 I have to then type as I&#8217;m remembering, with little editing.<\/p>\n<p>I no longer feel fear when I hear how Nat talks, because I now know, and have known for nearly two decades, what it&#8217;s called, what it means clinically.\u00a0 Communication disorder, neurological problems (synapses not met, pathways closed off).\u00a0 But the mystery of what this means about Nat remains.\u00a0 Even that is not such a mystery.\u00a0 Nat processes language very slowly, and needs or likes to repeat words and sounds.\u00a0 He likes to distort words so that they become his own.<\/p>\n<p>When Nat talks now, I feel something like hunger.\u00a0 I want more.\u00a0 And more and more and more.\u00a0 It is delightful when he shares with me his mind and experiences.\u00a0 Last night, for instance, he went out with his social group and they saw movie.\u00a0 Ned told me that when he picked Nat up, they had a conversation about it, Nat-style:<\/p>\n<p>&#8220;Nat, what did you do tonight?&#8221;<\/p>\n<p>&#8220;Movies.\u00a0 You ate pizza.&#8221;\u00a0 [something like that]<\/p>\n<p>&#8220;Nat, what was the movie about?&#8221;<\/p>\n<p>Long pause.\u00a0 &#8220;Dragons.&#8221;<\/p>\n<p>And yes, they had seen, <em>How to Train Your Dragon.<\/em> No mystery, just perfectly to-the-point.\u00a0 If I need to know more, I guess I&#8217;ll have to read the book\/see the movie.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I use the puzzle piece symbol on my website, in a kind of loyalty to my younger blogging self.\u00a0 I remember when Ned and I searched for a subtle and elegant puzzle piece that was in the public domain, and we eventually found my clear one.\u00a0 Do I think of Nat as a mystery?\u00a0 But [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-1555","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pSTth-p5","jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/susansenator.com\/blog\/wp-json\/wp\/v2\/posts\/1555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/susansenator.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/susansenator.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/susansenator.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/susansenator.com\/blog\/wp-json\/wp\/v2\/comments?post=1555"}],"version-history":[{"count":3,"href":"https:\/\/susansenator.com\/blog\/wp-json\/wp\/v2\/posts\/1555\/revisions"}],"predecessor-version":[{"id":1557,"href":"https:\/\/susansenator.com\/blog\/wp-json\/wp\/v2\/posts\/1555\/revisions\/1557"}],"wp:attachment":[{"href":"https:\/\/susansenator.com\/blog\/wp-json\/wp\/v2\/media?parent=1555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/susansenator.com\/blog\/wp-json\/wp\/v2\/categories?post=1555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/susansenator.com\/blog\/wp-json\/wp\/v2\/tags?post=1555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}